ⓘ The Avengers (2012 film)

The Avengers (2012 film)

ⓘ The Avengers (2012 film)

Marvels The Avengers, or simply The Avengers, is a 2012 American superhero film based on the Marvel Comics superhero team of the same name, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sixth film in the Marvel Cinematic Universe. The film was written and directed by Joss Whedon and features an ensemble cast that includes Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, and Jeremy Renner as the titular Avengers team, alongside Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgård, and Samuel L. Jackson. In the film, Nick Fury, director of the spy agency S.H.I.E.L.D., recruits Tony Stark, Steve Rogers, Bruce Banner, and Thor to form a team that must stop Thors brother Loki from subjugating Earth.

The films development began when Marvel Studios received a loan from Merrill Lynch in April 2005. After the success of the film Iron Man in May 2008, Marvel announced that The Avengers would be released in July 2011. With the signing of Johansson in March 2009, the film was pushed back for a 2012 release. Whedon was brought on board in April 2010 and rewrote the original screenplay by Zak Penn. Production began in April 2011 in Albuquerque, New Mexico, before moving to Cleveland, Ohio, in August and New York City in September. The film was converted to 3D in post-production.

The Avengers premiered at Hollywoods El Capitan Theatre on April 11, 2012, and was released in the United States on May 4, 2012. The film received praise for Whedons direction and screenplay, visual effects, action sequences, acting, and musical score, and garnered numerous awards and nominations including Academy Award and BAFTA nominations for achievements in visual effects. It set or tied numerous box office records, including the biggest opening weekend in the United States and Canada. The Avengers grossed over $1.5 billion worldwide and became the third-highest-grossing film of all time, as well as the highest-grossing film of 2012. It is the first Marvel production to generate $1 billion in ticket sales. In 2017, it was featured as one of the 100 greatest films of all time in Empire magazines poll of The 100 Greatest Movies.

Three sequels, titled Avengers: Age of Ultron, Avengers: Infinity War, and Avengers: Endgame, were released in May 2015, April 2018, and April 2019, respectively.


1. Plot

The Asgardian Loki encounters the Other, the leader of an extraterrestrial race known as the Chitauri. In exchange for retrieving the Tesseract, a powerful energy source of unknown potential, the Other promises Loki an army with which he can subjugate Earth. Nick Fury, director of the espionage agency S.H.I.E.L.D., and his lieutenant Agent Maria Hill arrive at a remote research facility during an evacuation, where physicist Dr. Erik Selvig is leading a research team experimenting on the Tesseract. Agent Phil Coulson explains that the object has begun radiating an unusual form of energy. The Tesseract suddenly activates and opens a wormhole, allowing Loki to reach Earth. Loki takes the Tesseract and uses his scepter to enslave Selvig and a few other agents, including Clint Barton, to aid him in his getaway.

In response to the attack, Fury reactivates the "Avengers Initiative". Agent Natasha Romanoff is sent to Kolkata to recruit Dr. Bruce Banner to trace the Tesseract through its gamma radiation emissions. Coulson visits Tony Stark to have him review Selvigs research, and Fury approaches Steve Rogers with an assignment to retrieve the Tesseract.

In Stuttgart, Barton steals iridium needed to stabilize the Tesseracts power while Loki causes a distraction, leading to a brief confrontation with Rogers, Stark, and Romanoff that ends with Lokis surrender. While Loki is being escorted to S.H.I.E.L.D., Thor, his adoptive brother, arrives and frees him, hoping to convince him to abandon his plan and return to Asgard. After a confrontation with Stark and Rogers, Thor agrees to take Loki to S.H.I.E.L.D.s flying aircraft carrier, the Helicarrier. Upon arrival, Loki is imprisoned while Banner and Stark attempt to locate the Tesseract.

The Avengers become divided, both over how to approach Loki and the revelation that S.H.I.E.L.D. plans to harness the Tesseract to develop weapons as a deterrent against hostile extraterrestrials. As the group argues, Barton and Lokis other possessed agents attack the Helicarrier, disabling one of its engines in flight and causing Banner to transform into the Hulk. Stark and Rogers work to restart the damaged engine, and Thor attempts to stop the Hulks rampage. Romanoff reluctantly fights Barton, and knocks him unconscious, breaking Lokis mind control. Loki escapes after killing Coulson and ejecting Thor from the airship, while the Hulk falls to the ground after attacking a S.H.I.E.L.D. fighter jet. Fury uses Coulsons death to motivate the Avengers into working as a team. Stark and Rogers realize that for Loki, simply defeating them will not be enough; he needs to overpower them publicly to validate himself as ruler of Earth. Loki uses the Tesseract, in conjunction with a device Selvig built, to open a wormhole above Stark Tower to the Chitauri fleet in space, launching his invasion.

Rogers, Stark, Romanoff, Barton, and Thor rally in defense of New York City, the wormholes location. Banner arrives and transforms into the Hulk, and together the Avengers battle the Chitauri while evacuating civilians. The Hulk finds Loki and beats him into submission. Romanoff makes her way to the wormhole generator, where Selvig, freed from Lokis mind control, reveals that Lokis scepter can be used to shut down the generator. Meanwhile, Furys superiors from the World Security Council attempt to end the invasion by launching a nuclear missile at Midtown Manhattan. Stark intercepts the missile and takes it through the wormhole toward the Chitauri fleet. The missile detonates, destroying the Chitauri mothership and disabling their forces on Earth. Starks suit loses power, and he falls back through the wormhole just as Romanoff closes it. Stark goes into freefall, but the Hulk saves him from crashing into the ground. In the aftermath, Thor returns Loki and the Tesseract to Asgard, while Fury expresses confidence that the Avengers will return if and when they are needed.

In a mid-credits scene, the Other confers with his master about the failed attack on Earth.


2. Cast

  • Robert Downey Jr. as Tony Stark / Iron Man: A self-described genius, billionaire, playboy, and philanthropist with an electromechanical suit of armor of his own invention. Downey was cast as part of his four-picture deal with Marvel Studios, which included Iron Man 2 and The Avengers. Downey said that he initially pushed Whedon to make Stark the lead: "Well, I said, I need to be in the opening sequence. I dont know what youre thinking, but Tony needs to drive this thing. He was like, Okay, lets try that. We tried it and it didnt work, because this is a different sort of thing, the story and the idea and the theme is the theme, and everybody is just an arm of the octopus." About the characters evolution from previous films, Downey said, "In Iron Man, which was an origin story, he was his own epiphany and redemption of sorts. Iron Man 2 is all about not being an island, dealing with legacy issues and making space for others. In The Avengers, hes throwing it down with the others". Downey earned $50 million "once box-office bonuses and backend compensation is a positive in society as opposed to somebody who is a negative. I tried to make him as honest to the story and as honest to what real-life would seem." Jackson compared the character to Ordell Robbie in Jackie Brown, calling him "a nice guy to hang out with. You just dont want to cross him". Jackson earned $4–6 million for the film.

Gwyneth Paltrow and Maximiliano Hernandez reprise their roles from previous MCU films as Pepper Potts and Jasper Sitwell, respectively. Paul Bettany returns to voice J.A.R.V.I.S. Frequent Whedon collaborator Alexis Denisof portrays the Other, and Damion Poitier portrays his master, Thanos unnamed in the film, in a post-credits scene. Powers Boothe and Jenny Agutter appear as members of the World Security Council later revealed to be Gideon Malick and Councilwoman Hawley. Avengers co-creator Stan Lee has a cameo appearance in a news report. Harry Dean Stanton cameos as a security guard, and Polish film director Jerzy Skolimowski appears as Georgi Luchkov, Romanoffs interrogator. Warren Kole has a brief role as a S.H.I.E.L.D. bridge tech who is caught playing Galaga. Enver Gjokaj, who later went on to play Agent Daniel Sousa in the series Agent Carter, appears as a police officer.


3.1. Production Development

Ideas for a film based on the Avengers began in 2003, with Avi Arad, the CEO of Marvel Studios, first announcing plans to develop the film in April 2005, after Marvel Enterprises declared independence by allying with Merrill Lynch to produce a slate of films that would be distributed by Paramount Pictures. Marvel discussed their plans in a brief presentation to Wall Street analysts; the studios intention was to release individual films for the main characters - to establish their identities and familiarize audiences with them - before merging the characters together in a crossover film. Screenwriter Zak Penn, who wrote The Incredible Hulk 2008, became attached to the film in 2006, and was hired by Marvel Studios to write the film in June 2007. In the wake of the 2007–2008 Writers Guild of America strike, Marvel negotiated with the Writers Guild of America to ensure that it could create films based on its comic book counterparts, including Captain America, Ant-Man and The Avengers. After the successful release of Iron Man 2008 in May, the company set a July 2011 release date for The Avengers. In September 2008, Marvel Studios reached an agreement with Paramount - an extension of a previous partnership - which gave the company distribution rights for five future Marvel films.

Casting began in October 2008 with Downeys signing. Though Don Cheadle was also reported to be reprising his Iron Man 2 role of War Machine for The Avengers, he later stated that he did not think the character would appear in the film. At the same time, two major prospects occurred for Marvel: Jon Favreau was brought in as an executive producer for the film, and the company signed a long-term lease with Raleigh Studios to produce three other big-budget films - Iron Man 2, Thor 2011, and Captain America: The First Avenger 2011 - at their Manhattan Beach, California complex. Lou Ferrigno, who voiced Hulk in The Incredible Hulk, stated that he would be involved in the film. In February 2009, Samuel L. Jackson signed a nine-picture deal with Marvel Entertainment to play Nick Fury in Iron Man 2 and other films. In September 2009, Edward Norton, who played Bruce Banner in The Incredible Hulk stated that he was open to returning in the film. The next month, executive producer Jon Favreau stated that he would not direct the film, but would "definitely have input and a say". Favreau also expressed concerns, stating, "Its going to be hard, because I was so involved in creating the world of Iron Man, and Iron Man is very much a tech-based hero, and then with Avengers youre going to be introducing some supernatural aspects because of Thor. was Avengers Annual #7 1977 that Jim Starlin did followed by Marvel Two-in-One Annual #2 1977 that contained the death of Adam Warlock. Those were some of the most important texts and I think underrated milestones in Marvel history and Thanos is all over that, so somebody had to be in control and had to be behind Lokis work and I was like Its got to be Thanos. And they said Okay and Im like Oh my God!" An additional coda involving the Avengers eating shawarma was shot on April 12, 2012, a day after the world premiere. Evans wore a prosthetic jaw while filming the scene to cover the beard he had grown. Shawarma sales in Los Angeles, St. Louis, and Boston reportedly skyrocketed in the days following the films release. Whedon stated the inspiration for the shawarma scene came from the events surrounding the filming of the scene where Fred dies in Wesleys arms in the Angel episode, "A Hole in the World". After filming the scene, Whedon and actors Amy Acker and Denisof, who portrayed Fred and Wesley, respectively, "went out for drinks and ended up just sitting around quietly, exhausted from the days events," which Whedon then mimicked in the scene for the film.

The film contains more than 2.200 visual effects shots completed by 14 companies: Industrial Light & Magic ILM, Weta Digital, Scanline VFX, Hydraulx, Fuel VFX, Evil Eye Pictures, Luma Pictures, Cantina Creative, Trixter, Modus FX, Whiskytree, Digital Domain, The Third Floor and Method Design. ILM was the lead vendor and shared responsibility for creating many of the films key effects, including the Helicarrier, the New York cityscape, digital body doubles, Iron Man and the Hulk. To create the on-screen Hulk, Ruffalo performed in a motion-capture suit on set with the other actors while four motion-capture HD cameras two full body, two focused on his face captured his face and body movements. Jeff White, ILMs visual effects supervisor, said, "We really wanted to utilize everything weve developed the last 10 years and make it a pretty spectacular Hulk. One of the great design decisions was to incorporate Mark Ruffalo into the look of him. So, much of Hulk is based on Ruffalo and his performance, not only in motion capture and on set, but down to his eyes, his teeth, and his tongue."

ILM digitally recreated the vast majority of the New York cityscape used in the film. In total, ILM artists rendered an area of about ten city blocks by about four city blocks. To do this, ILM sent out a team of four photographers to take pictures of the area in a shoot that lasted eight weeks. Tyson Bidner, the New York location manager on the film, helped by securing the rights to almost every buildings likeness in the area ILM needed. Disney and Sony Pictures agreed for OsCorp Tower from The Amazing Spider-Man to be included in the film, but the idea was dropped because much of the skyline had already been completed.

Weta Digital took over duties for animating Iron Man during the forest duel from ILM. Guy Williams, Wetas visual effects supervisor, said, "We shared assets back and forth with ILM, but our pipelines are unique and its hard for other assets to plug into it. But in this case, we got their models and we had to redo the texture spaces because the way we texture maps is different." Williams said the most difficult part was re-creating Iron Mans reflective metal surfaces.

Scanline VFX completed the reveal shots of the Helicarrier, from the moment Black Widow and Captain America arrive on the carrier deck to the point where it lifts off. Evil Eye Pictures composited digital backgrounds into shots filmed against a greenscreen for scenes taking place inside the Helicarrier. Colin Strause of Hydraulx said, "We did the opening ten minutes of the movie, other than the opening set-up in space" including Lokis arrival on Earth and subsequent escape from the S.H.I.E.L.D. base. Luma Pictures worked on shots featuring the Helicarriers bridge and incorporated the graphic monitor displays that were developed by Cantina Creative. Fuel VFX completed shots taking place in and around Tony Starks penthouse at Stark Tower. Digital Domain created the asteroid environment, where Loki encounters The Other. Method Design in Los Angeles created the films closing credits. Steve Viola, creative director at Method Design, said, "This piece was a two-minute, self-contained main on end sequence created entirely in CG. For each of the shots in the sequence, we designed, modeled, textured, and lit all of the environments and many of the foreground objects. We received assets from Marvel to include in the piece, then heavily re-modeled and re-surfaced them to create a post-battle macro sequence. We also designed a custom typeface for the Main Title of The Avengers as well as 30 credits set in-scene."


4. Music

In November 2011, Marvel announced that Alan Silvestri, who scored Captain America: The First Avenger, would write and compose the score for The Avengers. Silvestri said, "Ive worked on films where there have been a number of stars and certainly worked on films where there have been characters of equal weight in terms of their level of importance and profile in the film, but this one is somewhat extreme in that regard because each of these characters has their own world and its a very different situation. Its very challenging to look for a way to give everyone the weight and consideration they need, but at the same time the film is really about the coming together of these characters, which implies that there is this entity called the Avengers which really has to be representative of all of them together." Silvestri developed the score with the London Symphony Orchestra at Abbey Road Studios in London, England. Whedon said, "The score is very old-fashioned, which is why school of Im just feeling a lot right now! but he can also be extraordinarily cue and character specific, which I love."

In March 2012, American alternative rock band Soundgarden announced through its Facebook page that its song "Live to Rise" would be included on the films soundtrack. Additionally, the Indian rock band Agnee released a music video for its single "Hello Andheron", which serves as the theme song for the films Indian release. Hollywood Records released the soundtrack concept album inspired by the film, Avengers Assemble, on May 1, 2012, the same day as the score.


5.1. Marketing Trailers

The film was promoted at the 2010 San Diego Comic-Con International, during which a teaser trailer narrated by Samuel L. Jackson was shown followed by an introduction of the cast. In June 2011, Marvel Studios announced that it would not hold a panel at the 2011 San Diego Comic-Con International after studio executives decided it was not prepared to compete with its own past and fan expectations with filming still in production. In July 2011, a teaser trailer that was meant to be the post-credits scene of Captain America: The First Avenger was briefly leaked online. Entertainment Weekly speculated it came from a preview screening and described the footage as "shaky, fuzzy, flickering and obviously filmed on a cell phone".

In August 2011, Walt Disney Pictures, Pixar Animation Studios and Marvel Studios presented a look at Walt Disney Studios upcoming film slate, which included The Avengers, at the D23 Expo in Anaheim, California. The presentation featured footage from the film and appearances by the cast members. Later in August, Disney dismissed Marvels executive vice president of worldwide marketing, vice president of worldwide marketing and manager of worldwide marketing to bring their functions in-house.

In October 2011, Marvel Studios held a presentation at the New York Comic Con that featured new footage and a panel discussion including producer Kevin Feige and several cast members. The first full-length trailer was also released in October. Comic Book Resources said, "The two-minute teaser handily establishes the movies premise" and is "heavy on the assembling, but fans are also treated to plenty of action, as well glimpses films, so we decided that if we started on this coordinated strategy several years ago, retailers would give us shelf space throughout the years and we would have a more sustainable position in the marketplace".

In September 2011, set photos of Robert Downey Jr. driving a new model Acura were published online. An Acura spokesperson later released a statement confirming the companys involvement with the film, "As you may know, Acura has been in the Marvel Comics Universe films as the official car of their fictional law enforcement agency called S.H.I.E.L.D. That relationship continues for The Avengers. The open-top sports car that was photographed yesterday is a one-off, fictional car that was made just for the movie and will not be produced. That said, as you may also know, our CEO has said publicly that we are studying the development of a new sportscar, but we cant say any more about it at this time." In December 2011, Acura announced that a new NSX styled along the lines of the concept built for The Avengers would be unveiled at the 2012 North American International Auto Show. A series of 10 S.H.I.E.L.D. SUVs, based on the Acura MDX with modifications by Cinema Vehicle Services, were also made for the film.

In February 2012, it was announced that Marvel has partnered with fragrance company JADS to promote The Avengers with character-based fragrances. The announcement was just ahead of the Toy Industry Associations annual February exhibition, where representatives held a sampling booth of the products. Other promotional partners include bracelet-maker Colantotte, Dr Pepper, Farmers Insurance, Harley-Davidson, Hershey, Land OFrost lunchmeats, Oracle, Red Baron pizza, Symantec, Visa and Wyndham Hotels & Resorts. In total, Marvel and its parent-company Disney secured an estimated $100 million in worldwide marketing support for the film. Notable exclusions include Baskin-Robbins, Burger King and Dunkin Donuts, who had partnered with Marvel in the past when their films were distributed by Paramount; Disney does not generally promote through fast food outlets.


5.2. Marketing Video game

A video game based on the film was planned for concurrent release. The game was to be a first-person shooter/brawler for the Xbox 360, PlayStation 3, Wii U, and Microsoft Windows and published by THQ, with THQ Studio Australia developing the console versions and Blue Tongue Entertainment the PC version. After THQ closed both studios, the game was cancelled. Intellectual property rights for an Avengers video game reverted to Marvel, which said it was exploring potential publishing and licensing opportunities.

In May 2012, Ubisoft and Marvel Entertainment announced that they were partnering to develop a motion-controlled game titled Marvel Avengers: Battle for Earth for the Wii U and Xbox 360 Kinect. The game was inspired by the "Secret Invasion" storyline and features 20 different characters. Marvel also announced a four-chapter mobile game titled Avengers Initiative, with one chapter focusing on each of Hulk, Captain America, Thor and Iron Man.


6.1. Release Theatrical

In February 2012, Disney announced that the films title would be changed in the United Kingdom to avoid confusion with the British TV series of the same name, as well as its 1998 film adaptation. This led to confusion over the films actual title. Empire magazine reported that the film would be titled Marvel Avengers Assemble while The Hollywood Reporter said that it would be called simply Avengers Assemble. Marvels UK website refers to the film as Marvels Avengers Assemble, although David Cox of The Guardian, in arguing that it was one of the worst film titles ever, considered this to be an error in the production notes, albeit grammatically clearer. According to the British Board of Film Classification and the Irish Film Classification Office, the title is Marvel Avengers Assemble. Frank Lovece in addressed the discrepancy, writing, The Avengers - formally titled Marvels The Avengers onscreen, though no apostrophe-s appears on the posters." Producer Kevin Feige said there are only two words in the UK title, one more than in the U.S. title, and stated that "decisions like that arent made lightly and there are lots of marketing research, lawyers and things that get into the mix on it".

The films world premiere was April 11, 2012, at Hollywoods El Capitan Theatre. The Avengers closed the 11th Annual Tribeca Film Festival with a screening on April 28, 2012. The film received an expanded one-week theatrical push for the 2012 U.S. Labor Day weekend, increasing the number of theaters from 123 to 1.700.


6.2. Release Home media

The film was released by Walt Disney Studios Home Entertainment on Blu-ray Disc, Blu-ray 3D, DVD and digital download on September 25, 2012 in the United States and as early as August 29, 2012 in various international markets. Producer Kevin Feige said the Blu-ray features a new Marvel One-Shot titled Item 47 and "a number of deleted scenes and a few storylines that fell by the wayside during the editing process" including "a few more scenes with the S.H.I.E.L.D. agent Maria Hill, played by Cobie Smulders" and "some slightly different versions of Maria Hill and Nick Furys interaction with the World Security Council".

The film was also collected in a 10-disc box set titled "Marvel Cinematic Universe: Phase One – Avengers Assembled" which includes all of the Phase One films in the Marvel Cinematic Universe. It was released on April 2, 2013. Walt Disney Studios Home Entertainment released the film on Ultra HD Blu-ray on August 14, 2018.

Some fans have criticized the UK DVD and Blu-ray release for omitting Joss Whedons audio commentary, and for altering the scene involving Phil Coulsons death from the films theatrical version. Disneys UK division said the "less graphic depiction of Agent Coulsons confrontation with Loki" occurred because "ach country has its own compliance issues relative to depictions of violence. Unfortunately, another regions elements were inadvertently used to create the UK in-home release".

Upon its first week of release on home media in the U.S., the film topped the Nielsen VideoScan First Alert chart, which tracks overall disc sales, as well as the dedicated Blu-ray Disc sales chart with 72% of unit sales coming from Blu-ray, a record for a new release in which both the DVD and Blu-ray formats were released simultaneously.


7.1. Reception Box office

The Avengers grossed $623.4 million in the United States and Canada and $895.5 million in other countries, for a worldwide total of $1.519 billion. It became the third-highest-grossing film worldwide at that time as well as the highest-grossing 2012 film, the highest-grossing comic-book adaptation, the highest-grossing superhero film and the highest-grossing film ever released by Walt Disney Studios, at the time of its release. The films worldwide opening of $392.5 million was the fourth-largest. The Avengers also became the fifth film distributed by Disney and the twelfth film overall to earn more than $1 billion. It reached this milestone in 19 days, matching the record for speed previously set by Avatar and Deathly Hallows – Part 2. Its grosses exceeded its estimated $220 million production cost 12 days after its release. It was the first Marvel production to generate $1 billion in ticket sales.


7.2. Reception United States and Canada

The film became the third-highest-grossing film, the highest-grossing 2012 film, the highest-grossing film distributed by Disney, the highest-grossing superhero film and the highest-grossing film based on comics. It opened Friday, May 4, 2012, on around 11.800 screens across 4.349 theaters, and earned $80.8 million, marking the second-biggest opening and second-biggest single-day gross. The films Friday gross included an $18.7 million midnight run, a record for a superhero film Without midnight grosses, the film earned the largest opening-day gross $62.1 million. It also set a Saturday- and Sunday-gross record $69.6 million and $57.1 million respectively. In total, it earned a total of $207.438.708 for its debut weekend, setting an opening-weekend record, including an IMAX opening-weekend record of $15.3 million and a record for opening-weekend grosses originating from 3D showings $108 million. The opening-weekend audience was evenly split among those under and over the age of 25, with 60% of the audience male, 55% couples, 24% families and 21% teenagers. Earning $103.1 million on its second weekend, the film set a record for the largest second-weekend gross. Other records set by the film include the biggest weekend per-theater average for a wide release $47.698 per theater, the fastest film to reach $100 million and each additional $50 million through $550 million, and the largest cumulative gross through every day of release until, and including, its forty-third day with the exception of its first day. It remained in first place at the box office for three consecutive weekends. The film set a record for the highest monthly share, with its $532.5 million total through May 31, 2012 accounting for 52% of the total earnings at the box office during May.


7.3. Reception Records

The following are records set by the film upon its theatrical release.


7.4. Reception Other territories

The film became the third-highest-grossing film, the highest-grossing Disney-distributed film, the highest-grossing 2012 film, and the highest-grossing superhero film. It opened Wednesday, April 25, 2012, in 10 countries, earning $17.1 million. It opened in 29 more countries on April 26 and 27, earning $73.1 million in three days. Through Sunday, April 29, it earned an opening-weekend total of $185.1 million from 39 countries. It was in first place at the box office for four consecutive weekends. The film set opening-day records in New Zealand, Malaysia and Iceland, a single-day record in the Philippines, as well as both single- and opening-day records in Singapore and in Thailand. It also earned the second-highest-grossing opening day in Australia $6.2 million, behind Deathly Hallows – Part 2, in Mexico, in the Philippines and in Vietnam. It set opening-weekend records in many territories, including Mexico, Brazil, Ecuador, Bolivia, Taiwan, the Philippines, Hong Kong, the United Arab Emirates, Argentina, Peru and Central America. It also earned the second largest five-day opening in Australia $20.2 million.

In the UK, Ireland and Malta, the film earned £2.5 million $4.1 million on its opening day and £15.8 million $25.7 million during the weekend, setting an opening-weekend record for a superhero film. It became the markets highest-grossing superhero film. In Latin America, it became the highest-grossing film $207 million and the first film to earn more than $200 million. It also became the highest-grossing film in the Philippines, in Singapore and in Indonesia.


7.5. Reception Critical response

The review aggregator website Rotten Tomatoes reported a 92% approval rating with an average score of 8.06/10, based on 354 reviews. The websites consensus reads, "Thanks to a script that emphasizes its heroes humanity and a wealth of superpowered set pieces, The Avengers lives up to its hype and raises the bar for Marvel at the movies." On Metacritic, the film achieved an average score of 69 out of 100 based on 43 reviews, signifying "generally favorable reviews". Audiences polled for CinemaScore gave the film a rare "A+" grade on an "A+ to F" scale.

Todd McCarthy of The Hollywood Reporter gave a positive review of the film, remarking, "Its clamorous, the save-the-world story is one everyones seen time and again, and the characters have been around for more than half a century in 500 comic book issues. But Whedon and his cohorts have managed to stir all the personalities and ingredients together so that the resulting dish, however familiar, is irresistibly tasty again." To Rolling Stone journalist Peter Travers, the film epitomized an exceptional blockbuster. "Its also the blockbuster," Travers said, "I saw in my head when I imagined a movie that brought together the idols of the Marvel world in one shiny, stupendously exciting package. Its Transformers with a brain, a heart and a working sense of humor." Justin Chang of Variety wrote, "Like a superior, state-of-the-art model built from reconstituted parts, Joss Whedons buoyant, witty and robustly entertaining superhero smash-up is escapism of a sophisticated order, boasting a tonal assurance and rich reserves of humor that offset the potentially lumbering and unavoidably formulaic aspects of this 143-minute team-origin story." Kenneth Turan of the Los Angeles Times complimented the films frenetic pace, while Roger Ebert of the Chicago Sun-Times commented that it "provides its fans with exactly what they desire. Whether it is exactly what they deserve is arguable". Conversely, A. O. Scott of The New York Times believed that "while The Avengers is hardly worth raging about, its failures are significant and dispiriting. The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre."

The performances of several cast members was a frequent topic in the critiques. In particular, Mark Ruffalos portrayal of Dr. Bruce Banner/the Hulk was well received by commentators. Joe Neumaier opined that his performance was superior to the rest of the cast; "Ruffalo is the revelation, turning Banner into a wry reservoir of calm ready to become a volcano." Similarly, The New Yorker s Anthony Lane proclaimed Ruffalos acting to be one of the films highlights - alongside Downey. The Village Voice s Karina Longworth concluded: "Ruffalo successfully refreshes the Hulk myth, playing Banner as an adorably bashful nerd-genius who, in contrast to the preening hunks on the team, knows better than to draw attention to himself." Travers asserted that the actor resonated a "scruffy warmth and humor" vibe, while Turan felt that he surpassed predecessors Edward Norton and Eric Bana in playing the character. Owen Gleiberman of Entertainment Weekly wrote that "the smartest thing the filmmakers did was to get Mark Ruffalo to play Bruce Banner as a man so sensitive that hes at war, every moment, with himself. The film finally solves the Hulk problem: Hes a lot more fun in small doses."

Referring to Downey, Joe Morgenstein of The Wall Street Journal - despite complimenting Downeys performance - favored his work in Iron Man over his acting in The Avengers: "His Iron Man is certainly a team player, but Mr. Downey comes to the party with two insuperable superpowers: a character of established sophistication - the industrialist/inventor Tony Stark, a sharp-tongued man of the world - and his own quicksilver presence that finds its finest expression in self-irony." Neumaier praised Evans, stating that he accurately conveyed his characters internal conflicts.

Commentators appreciated the character development and dialogue. Associated Press reviewer Christy Lemire wrote that the script "sparkles as brightly as the special effects; these people may be wearing ridiculous costumes but theyre well fleshed-out underneath." Scott suggested that certain parts of the film permeated a charm that he felt was similar to the western film Rio Bravo 1959. Longworth felt that while Whedons script demonstrated the backstory of the characters, the film does not explore it "in a substantive way".


7.6. Reception Accolades

The Avengers has garnered numerous awards and nominations, including an Academy Award nomination for Best Visual Effects and a British Academy Film Award nomination for Best Special Visual Effects. The film has also been nominated for three Critics Choice Movie Awards, thirteen Peoples Choice Awards winning three, eleven Teen Choice Awards winning two, six Saturn Awards winning four, and six VES Awards winning two, as well as the 2013 Hugo Award for Best Dramatic Presentation Long Form. In 2017, it was featured as one of the 100 greatest films of all time in Empire magazines poll of The 100 Greatest Movies.


8. Sequels

Avengers: Age of Ultron

A sequel, titled Avengers: Age of Ultron, written and directed by Whedon, was released on May 1, 2015. Much of the cast returns, with the addition of Elizabeth Olsen as Scarlet Witch, Aaron Taylor-Johnson as Quicksilver, Paul Bettany as Vision, and James Spader as Ultron.

Avengers: Infinity War

Avengers: Infinity War was directed by Anthony and Joe Russo, from a script by Christopher Markus and Stephen McFeely, and was released on April 27, 2018. Much of the cast from the first two films return, with additional cast and characters joining from other MCU films, and Josh Brolin appearing as Thanos.

Avengers: Endgame

Avengers: Endgame, again directed by the Russo brothers from a script by Markus and McFeely, was released on April 26, 2019.

  • The Avengers is a 1998 American action spy film adaptation of the British television series of the same name directed by Jeremiah Chechik. It stars Ralph
  • Avengers Assemble was an ongoing comic book series featuring the Marvel Comics superhero team the Avengers Its initial release coincided with the release
  • sequels to earlier films and four new film properties, as well as the crossover films Avengers Infinity War and Avengers Endgame. As the franchise is composed
  • producers Albert Fennell and Brian Clemens. The series was produced by The Avengers Film and TV Enterprises Ltd for the ITV network, cost 125, 000 per episode
  • episode list for the 1960s British television series The Avengers The series was aired in Britain, on ITV, between 1961 and 1969. The first four series
  • 1 at the U.S. box office for four consecutive weekends. The Avengers grossed n.519 billion it is currently the eighth highest - grossing film of all

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