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ⓘ The Mechanic (1972 film)




The Mechanic (1972 film)
                                     

ⓘ The Mechanic (1972 film)

The Mechanic is a 1972 American action thriller film which was directed by Michael Winner, produced by Irwin Winkler and Robert Chartoff, and written by Lewis John Carlino. The film stars Charles Bronson, Jan-Michael Vincent, Keenan Wynn, and Jill Ireland.

The story follows Arthur Bishop Bronson, a top assassin who takes under his wing Steve McKenna Vincent, the ruthless and ambitious son of Harry McKenna Wynn, the former head of the secret organization for which Bishop works. It is noted for its opening, which features no dialogue for the first 16 minutes, as Bronsons character prepares to kill his current target.

Upon its release, the film received generally mixed reviews from critics but it was praised for its action scenes, acting and writing although the direction and the storytelling was criticized.

A remake of the same name was released on 2011, starring Jason Statham as Bishop and Ben Foster as McKenna. The film was a financial success, and spawned a sequel, Mechanic: Resurrection, which was released five years later.

                                     

1. Plot

Arthur Bishop Charles Bronson is a "mechanic" a top assassin. He works exclusively for a secret international organization that has very strict rules. Bishop regularly listens to classical music, has an art collection, and is a connoisseur of fine wines. However, he is forced to live alone - he cannot show emotions or trust people. Bishop is under constant emotional pressure, so much so that he is prescribed anti-depressants for depression. One day he is temporarily hospitalized after he loses consciousness due to the stress. Bishop pays a call girl Jill Ireland to have a simulated romantic social and sexual relationship, including her writing fake love letters to him.

When Bishop is assigned one of the organizations heads, "Big Harry" McKenna Keenan Wynn, he shoots at Big Harry while making him think that the shots are being fired by a hidden sniper. Harry, who Bishop knows has a weak heart, runs up a steep incline, which triggers a heart attack. Bishop then finishes Harry off by smothering him.

At Big Harrys funeral, Bishop runs into Harrys narcissistic, ruthless and ambitious son Steve Jan-Michael Vincent. Steve is intrigued by Bishop and seeks to find out more about him. Bishop is also intrigued, as he realizes that Steve has a personality suited for being a hit man, and plays along. As part of his training, Bishop teaches Steve that "every person has a weakness, and that once this weakness is found, the target is easy to kill." However, Bishop failed to get his superiors prior consent for the arrangement. Following a messy assassination conducted by Bishop and Steve, the organization warns Bishop that his irresponsible choice to involve Steve has been interpreted as selfish behavior.

The organization then gives Bishop an urgent mission, this time in Italy. Once again, Bishop involves Steve in the new plan, but just before they leave Bishop happens to find among Steves belongings a file containing information about Bishop. This file is very similar to the files Bishop prepared for his targets. Nevertheless, Bishop allows Steve to go with him to Italy.

In Italy, Bishop and Steve approach a boat where their intended victim is supposed to be, but it becomes apparent that this was a trap and they are the real targets. Bishop and Steve are ambushed, but they manage to kill all their would-be assassins.

His apprenticeship apparently complete, Steve shares a celebratory bottle of wine with Bishop, having coated the latters glass with brucine, a colorless and deadly alkaloid. When Bishop realizes that he has been poisoned, he asks Steve if it was because Bishop had killed Steves father. Steve responds that he had not realized his father was murdered. Steve taunts Bishop, saying "You said every man has his jelly spot. Yours was you just couldnt cut it alone." Steve goes on to reveal that he was not acting on orders to kill Bishop.

Steve returns to Bishops home to pick up the Ford Mustang he had left there. He finds a note affixed to the rear-view mirror, which reads: "Steve, if you read this it means I didnt make it back. It also means youve broken a filament controlling a 13-second delay trigger. End of game. Bang! Youre dead." As Steve frantically reaches for the door handle, the car explodes.

                                     

2. Cast

  • Charles Bronson as Arthur Bishop
  • Jan-Michael Vincent as Steve McKenna
  • Celeste Yarnall as The Marks Girl
  • Frank de Kova as The Man
  • Jill Ireland as The Girl
  • Keenan Wynn as Harry McKenna
  • Linda Ridgeway as Louise
  • Patrick OMoore as The Old Man
  • Enzo Fiermonte as The Mark
  • Takayuki Kubota as Yamoto
                                     

3. Production

Monte Hellman was originally scheduled to direct The Mechanic. He and screenwriter Lewis John Carlino adapted Carlinos then-unpublished novel and worked on the script for several weeks before producers switched studios and hired Michael Winner to direct.

In Carlinos original script, the relationship between Arthur Bishop and Steve McKenna was explicitly gay. Producers had difficulty securing financing and several actors, including George C. Scott, flatly refused to consider the script until the homosexuality was removed. Carlino described The Mechanic as "one of the great disappointments of my life", continuing:

"I wanted a commentary on the use of human relationships and sexual manipulation in the lives of two hired killers. It was supposed to be a chess game between the older assassin and his young apprentice. The younger man sees that he can use his sexuality to find the Achilles heel that he needs to win. There was a fascinating edge to it, though, because toward the end the younger man began to fall in love, and this fought with his desire to beat the master and take his place as number one. The picture was supposed to be a real investigation into this situation, and it turned into a pseudo James Bond film."

The films martial arts scenes were shot in one day at the dojo of Takayuki Kubota who also appears in the film. The shooting required 65 camera setups. The scenes were cut short in the final edit, because, according to associate producer Henry Gellis, their inclusion made the film seem like an installment in the James Bond series.

The score and source music, by Jerry Fielding, were recorded at CTS Cine-Tele Sound Studios in London, England, between August 7 and 11, 1972. The orchestrations were by Lennie Niehaus And Greg McRitchie. The Recording Engineer was Dick Lewzey.

The source music consists of pieces composed by Ludwig van Beethoven - String Quartet, Opus 18, No 6 and Grosse Fuge: Opus 133 - as well as Eduardo di Capuas famous Neapolitan song ’O sole mio.

A novelization credited to screenwriter Lewis John Carlino was published by Signet Books to accompany the films release.



                                     

4. Reception

Vincent Canby of The New York Times described The Mechanic as a "solemn, rather spurious action melodrama". Noting the "father son rivalry" between Arthur and Steve and picking up on the "latent homosexual bond" between the two, Canby concluded that the film was "non-stop, mostly irrelevant physical spectacle" and pondered what a different director might have done with the same material. A review in Variety called it an "action-drenched gangster yarn which has all the makings of a heavy b.o. grosser, but simultaneously is burdened with an overly-contrived plot development." Roger Ebert gave the film 2.5 stars out of 4 and praised Bronsons performance, noting that he appears to be truly listening to Vincent rather than simply waiting for him to stop for Bronsons next line. While finding the plot twists "neat", Ebert found that director Winner failed to squarely address the relationship between the leads in favor of too many boring action sequences. Gene Siskel of the Chicago Tribune gave the film only 1 star out of 4 and wrote, "The entirely unoriginal production moves at a numbing pace with Bronson mirroring the directorial lethargy with his silent, dont I have strong cheekbones demeanor." Kevin Thomas of the Los Angeles Times praised the film as "A hard-edged, brutal yet absorbing contemporary gangster movie" with "top-notch" performances. Judith Crist dismissed the film as "a banal expedition into slaughter and sadism and stupid dialogue". Any hint of authenticity, she wrote, was obliterated by Winners "bang-bang-bang approach". Gary Arnold of The Washington Post wrote, "Its a predictable, expendable piece of formula moviemaking, and the men responsible for it seem considerably more proficient at manufacturing thrills than generating and sustaining dramatic interest."

Screen Archives Entertainment has released The Mechanic for the first time on Blu-ray on June 10, 2014.

                                     

5. Remake

On May 7, 2009, it was announced that director Simon West would be helming a remake with Jason Statham taking the lead role. The remake opened in the United States on January 28, 2011, making $11.500.000 on its opening weekend. A sequel was released in August 2016.

                                     
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